What were the Pictures at an Exhibition?
What were the Pictures at an Exhibition?
What were the Pictures at an Exhibition?
Pictures at an Exhibition is a suite of ten piano pieces, plus a recurring, varied Promenade theme, composed by Russian composer Modest Mussorgsky in 1874. The piece is Mussorgsky’s most famous piano composition, and it has become a showpiece for virtuoso pianists.
Which five note scale does Mussorgsky use in the the first movement promenade of Pictures at an Exhibition?
old pentatonic scale
The theme is based on the old pentatonic scale of five whole tones which is widely used in folk music.
What inspired Pictures at an Exhibition?
The Jacksonville Symphony has partnered with MOCA Jacksonville and the Cummer Museum of Arts & Gardens for a discussion centering on the artwork of artist Victor Hartmann that serves as the inspiration for Modest Mussorgsky’s ten-movement work, Pictures at an Exhibition.
Who orchestrated photos at an exhibition?
Maurice Ravel
THE BACKSTORY In 1922 the French composer Maurice Ravel told the Russian conductor Serge Koussevitzky about this set of fascinating piano pieces. Koussevitzky, his enthusiasm fired, asked Ravel to orchestrate them.
How many paintings does Pictures at an Exhibition depict?
Timecodes refer to the recording of Pictures at an Exhibition by Simon Tedeschi for ABC Classics. We have some idea of how he might have felt among the collection of over 400 pictures by the artist Viktor Hartmann because he includes five self-portraits of his own rotund figure moving between them.
Who was Viktor Hartmann?
Viktor Alexandrovich Hartmann (Russian: Ви́ктор Алекса́ндрович Га́ртман; 5 May 1834, Saint Petersburg – 4 August 1873, Kireyevo near Moscow) was a Russian architect and painter. He was associated with the Abramtsevo Colony, purchased and preserved beginning in 1870 by Savva Mamontov, and the Russian Revival.
What pictures are Pictures at an Exhibition based on?
Samuel Goldenberg and Schmuyle These were based on two painting which Hartmann had given Mussorgsky and which Mussorgsky then lent to the exhibition of Hartmann’s work.